NAILA AND THE UPRISING
Saturday 23 March Town Hall doors 4pm; film 4.30pm
A story of love, family and freedom.
Directed by Julia Bacha | USA | English | 76 minutes | 12A
SCREENING WITH
SHIREEN OF AL-WALAJA
An insight into the day-to-day life of a dynamic Palestinian woman turned popular resistance leader.
An insight into the day-to-day life of a dynamic Palestinian woman turned popular resistance leader.
Directed by Daz Chandler | Australia | 28 mins | 12A
FOLLOWED BY Q&A
with Shireen Al-Walaja Director Daz Chandler
and Dr Karen Abi-Ezzi, Bradford University Peace Studies Centre
with Shireen Al-Walaja Director Daz Chandler
and Dr Karen Abi-Ezzi, Bradford University Peace Studies Centre
"Stories like Naila’s remind us of a third way: one of nonviolent resistance led by self-reliant, democratic, gender-equal communities." The Nation
When a nation-Wide uprising breaks out in 1987, a woman in Gaza must make a choice between love, family and freedom. Undaunted, she embraces all three, joining a clandestine network of women in a movement that forces the world to recognize the Palestinian right to self-determination for the first time.
The film revolves around the tragic and remarkable story of Naila Ayesh, an active student organizer in Gaza in the 1980s. Naila has spent years building the infrastructure for economic independence for women and self-sufficiency for Palestinians under Israeli occupation. She is pregnant when first arrested in 1986. None of her friends and family knows where she is being detained, and the Israeli army and prison system deny that she is in their custody. After days of torture and interrogation in the prison, she starts bleeding – a sign of a possible miscarriage – but guards ignore her repeated requests to see a doctor.
Naila’s husband and long-time partner in activism, Jamal, reaches out to Israeli journalist and activist Roni Ben Efrat, imploring her to look into Naila’s case. She works with Israeli journalist Oren Cohen, whose investigation points to clear evidence despite police denials. He publishes just the same. Oren’s story hits the headlines, forcing the authorities to reveal that Naila Ayesh is being held by the Shin Bet, Israel’s secret service. By the time the bureaucratic machine releases her – without charge – she has lost her child.
One year later, Naila gives birth to her son Majd, and as the uprising breaks out, she pours her heart into it. Naila and dozens of other women start building parallel institutions to challenge the Israeli military’s control of Palestinian life: underground classrooms to replace schools that were shut down by the army, citizen-run health clinics to treat those with no access to hospitals, and “victory gardens” to break reliance on Israeli agriculture.
Naila also orchestrates the secret distribution of leaflets, the underground leadership’s communication system to inform people of strikes, boycotts, marches, and other direct actions being planned each week. A new mother, Naila puts baby Majd in a sling and takes him with her at night, hiding the communiqués in loaves of bread.
When her husband is deported for political activities soon after the outbreak of the Intifada, Naila is left to raise a child alone while sustaining her vital role in the uprising. As she gains visibility in the movement, the Israeli authorities arrest her again, this time in the middle of the night, taking her away from her 6-month-old son. With one parent in prison and the other deported, Majd is eventually sent to join his mother and the imprisoned women of the First Intifada, taking his first steps in an Israeli prison yard. Months pass and the uprising persists, leaving the fate of Naila and her family hanging in the balance.
We follow Naila and the women’s struggle through the end of the uprising and into negotiations with Israel, where Palestinians are recognized for the first time on the world stage. The women’s movement bore immediate fruit, with female activists taking their place on the Palestinian delegation, more female representation than any other party. But will the women be able to carry forward the vision of equality that their activism set in motion?
Using evocative under-camera animation, intimate interviews, and exclusive archival footage, this film brings out of anonymity the courageous women who shook the Israeli occupation and put Palestinians on the map for the first time. Most images of the First Intifada paint an incomplete picture from a law-and-order frame. This film tells the story that history overlooked – of an unbending nonviolent women’s movement at the head of Palestine’s struggle for freedom.
JULIA BACHA: DIRECTOR, NAILA AND THE UPRISING
When the team at Just Vision first embarked on Naila and the Uprising nearly four years ago, we knew that surfacing this history was important. But we didn’t fully anticipate exactly how timely the film would be. The women in Naila and the Uprising are not only role models for the rising generation of Palestinians and Israelis struggling for justice and equality. They also illuminate lessons and legacies for communities around the globe who are demanding more of their political leaders as they organize for the rights and well-being of all.
Julia Bacha (2017) |
DAZ CHANDLER: DIRECTOR, SHIREEN OF AL-WALAJA
Daz Chandler is an award-winning Australian-born filmmaker and inter-disciplinary storyteller with a background in broadcast journalism and presenting for radio and TV. She’s into material that challenges preconceived ideas, unpacks philosophical questions around life, death and identity or strives to create instances of social engagement, or points of connection between unlikely parties. She also enjoys developing projects that indulge her dark sense of humour and flirt with the surreal or unexpected.
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